claes oldenburg gallery

With his saggy hamburgers, colossal clothespins and giant three-way plugs, Claes Oldenburg has been the reigning king of Pop sculpture since the early 1960s, back when New York was still truly gritty. Executed in 1976. Exhibitions. (Inventory #29337), from a series of approximately 200 Berggruen Gallery specializes in the exhibition and sale of 20th-century American and European paintings, drawings, sculpture, and limited edition prints. Inkstamp ‘Wedding Souvenir/Claes Oldenburg/Los Angeles, 1966’ on the underside Many of his works were made in collaboration with his wife, Coosje van Bruggen, who died in 2009; they had been married for 32 years. With a prolific career spanning over fifty years, Claes Oldenburg has made a radical contribution to the history of sculpture by rethinking its materials, forms, and subject matter. [6]. En ella reunía figuras y objetos realizados con materiales baratos (tela, cartón, papel), formando una singular evocación del paisaje urbano. Claes Oldenburg was born in Stockholm, Sweden, in 1929. 1929) Soft Baked Potato, Open and Thrown--Scale B signed and dated 'Oldenburg 1970' (on the interior of the potato) canvas, stuffed canvas, zipper and painted wood 9 x 25 x 16 in. Available for sale from Gemini G.E.L., Claes Oldenburg, Profiterole (1990), Cast aluminum with handpainting by the artist, 6 × 8 1/8 × 8 5/8 in Images and Permissions. Installation view, Exhibition of Recent Work by Claes Oldenburg (alternatively titled The Home), Sidney Janis Gallery, New York, April 7 - May 2, 1964. By using this site, you consent to our use of cookies. He attended Yale University, then returned to Chicago, where he worked for a newspaper and also attended drawing classes at The Art Institute. Edition of unknown, about 72 As early as 1964, the humble tube of toothpaste made its way into Claes Oldenburg’s art. ©1962 Claes Oldenburg Photo: Sean Weaver (48.9 x 42.5 x 289.6 cm), The idea continues to occupy Oldenburg in a number of drawings between 1969 and 1973. It provides details of Oldenburg’s first uptown New York exhibition held at the Green Gallery from September to October 1962. Claes Oldenburg Wedding Souvenir 1966 Cast resin, painted with acrylic. It provides details of Oldenburg’s first uptown New York exhibition held at the Green Gallery from September to October 1962. New York — Claes Oldenburg, Shelf Life, Oct 13–Nov 11, 2017 This website uses cookies to offer you a better browsing experience. Wedding Souvenir (for the wedding of Jim and Judith Elliott in Topanga Canyon, California, April 23, 1966). Voir plus d'idées sur le thème oldenburg, oeuvre d'art, l'art exterieur. Claes Oldenburg. (1.9 x 76.2 x 76.2 cm.) (Catalogue) Summary of Claes Oldenburg. Oct 24, 2019 - Explore Annie Whitten's board "Claes oldenburg sculptures", followed by 369 people on Pinterest. Edition of 125 "I wish to destroy the rectangle and substitute the 'medium' of indefinite form". By using this site, you consent to our use of cookies. [4] Barbara Haskell, Claes Oldenburg: Object Into Monument (Pasadena: Pasadena Art Museum, 1971), 83. In his early career, Claes Oldenburg worked with soft sculpture and performance art, but became renowned for … This exhibition is devoted to Oldenburg’s soft sculptures, a body of work that he began developing in 1962. "I am for an art that is political-erotic-mystical, that does something other than sit on its ass in a museum." © Hans Hammarskiöld Heritage. Oldenburg frequently spoke of the toothpaste works as representations of himself—as an artist who “takes off his cap and oozes out his content” [4] — and those contents supporting him. Oldenburg attended Yale University from 1946 to 1950 and became an American citizen in 1953. (Inventory #31891), 5 1/2 x 6 1/2 x 2 1/4 inches (14 x 16.5 x 5.7 cm) [5], Over the course of the late 1970s and early 1980s, Oldenburg embarked on a series of models of, Düsseldorf, in 1985, and published a catalogue for the work that same year. [6]. 6 x 8 1/8 x 8 5/8 inches (15.2 x 20.6 x 21.9 cm) Edition of 75 Signed as fabricated up to June, 1991 (Inventory #29290) Claes Oldenburg was born in Stockholm, Sweden, in 1929. (22.8 x 63.5 x 40.6 cm.) Claes Oldenburg, bekend van zijn grootschalige, openbare installaties, is een veelzijdige kunstenaar met werken die naast performance, tekenen en schrijven voornamelijk sculptuur omvatten. Now, he explores the Tube Supported by its Contents, on view at Paula Cooper Gallery, right … Claes Oldenburg is an American sculptor, best known for his public art installations typically featuring very large replicas of everyday objects. (261.6 x 68.9 x 50.8 cm.) Claes Oldenburg studied literature and art history at Yale University and the Art Institute of Chicago. Claes Oldenburg est né le 28 janvier 1929. The toothpaste is now a straight rod, coiled twice near the ground where it is anchored, and the tube rises directly above it like a burning flame. Another theme in his work is soft sculpture versions of everyday objects. It is no wonder the humble tube of toothpaste should have made its way into Claes Oldenburg’s pantheon of objects to assume a place of such prominence. All works by both artists except in two cases, where indicated with * *Lipstick (Ascending) on Caterpillar Tracks, 1969-74 Cor-Ten steel, steel, aluminum, cast resin; painted with polyurethane enamel It is now in the collection of the Cleveland Museum of Art. Óleo con goma y cajas de cerillas, pintado con pintura acrílica. ... Claes Thure Oldenburg, born 28 Jan 1929 Date 1967 Type Photograph Medium Gelatin silver print Dimensions Claes Oldenburg, in full Claes Thure Oldenburg, (born Jan. 28, 1929, Stockholm, Sweden), Swedish-born American Pop-art sculptor, best known for his giant soft sculptures of everyday objects.. Much of Oldenburg’s early life was spent in the United States, Sweden, and Norway, a result of moves his father made as a Swedish consular official. Claes Oldenburg 1962 is a lithographic poster printed in black and green ink. See more ideas about claes oldenburg, oldenburg, sculptures. Claes Oldenburg 1962 is a lithographic poster printed in black and green ink. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Pretzel was subsequently re-editioned at the artist’s request by Susan Inglett/I.C. Claes Oldenburg (EE.UU, nacido en Suecia, 1929) Floor Burger. Claes Oldenburg: Early Sculpture, Drawings, and Happenings Films Claes Oldenburg and Coosje van Bruggen: The Music Room. 1946–50 Claes Oldenburg acaba el bachillerato en la Latin School of Chicago y se especializa en arte y literatura ingleses en la Universidad de Yale. Biografía del artista Photo: Hans Hammarskiöld. Oldenburg with Giant Toothpaste Tube (1964) in London, during the touring exhibition Claes Oldenburg, organized by the Museum of Modern Art, New York, September 25 - November 23, 1969. Claes Oldenburg is known as a pioneer, and pre-eminent member of the Pop sculpture movement of the early 1960s. After living in New York City, Rye, New York, and Oslo, Norway, he moved to Chicago in 1936. [6] The large-scale version (bronze and steel, painted with polyurethane enamel, 15 x 12 x 9 1/2 ft.) is now in the collection of the Utsunomiya Museum of Art, Japan. 5 1/2 x 6 1/2 x 2 1/4 inches  (14 x 16.5 x 5.7 cm) New York — Claes Oldenburg, Shelf Life, Oct 13–Nov 11, 2017 This website uses cookies to offer you a better browsing experience. The toothpaste is now a straight rod, coiled twice near the ground where it is anchored, and the tube rises directly above it like a burning flame. Oldenburg’s earliest work on the theme, the masterful Giant Toothpaste Tube, was included in Oldenburg’s first one-person exhibition at the Sidney Janis Gallery in 1964 as part of a collection of large-scale objects from the home. Claes Oldenburg (born January 28, 1929) is a Swedish-born American sculptor, best known for his public art installations typically featuring large replicas of everyday objects. Richard H. Axsom and David Platzker, Printed Stuff: Prints, Posters, and Ephemera by Claes Oldenburg: A Catalogue Raisonné, New York 1997. More crucially for Oldenburg, it was replete with formal possibilities: a squeezable rectangle, forever blurring the boundaries between soft and hard, its paste a signifier of malleability, of the softness and “indefinite form” that the artist had begun so powerfully to inject into contemporary sculpture. As a newly mass-produced item, toothpaste was one of the emblems of postwar mass consumption, routinely marketed in newspaper and TV ads addressed to the American nuclear family. The enigmatic inscription “Note –, projects = myself ” at the bottom tantalizingly establishes, works as representations of himself—as an artist who “takes off his cap and oozes out his content” [4] — and those contents supporting him. Edition of 58 Claes Oldenburg selecting and arranging sketches for Notes at Gemini G.E.L., 1968, photograph, National Gallery Australia, Gift of Kenneth Tyler, 2002 The 12 lithographs were originally published with 13 text pages, a title page, and a colophon, in the form of an unbound book. Chronology of Large-Scale Projects by Claes Oldenburg and Coosje van Bruggen Unless otherwise stated, dimensions are given as height x width x depth. All works by both artists except in two cases, where indicated with * *Lipstick (Ascending) on Caterpillar Tracks, 1969-74 Cor-Ten steel, steel, aluminum, cast resin; painted with polyurethane enamel (Inventory #28128). [2] This toothpaste tube was then included in the 1964 Venice Biennale and in Oldenburg’s travelling exhibition organized by MoMA in 1970. (1.9 x 76.2 x 76.2 cm.) Encuentra fotos de stock perfectas e imágenes editoriales de noticias sobre Claes Oldenburg en Getty Images. Ver más ideas sobre Oldenburg, Oldemburgo, Arte. Adquisición, 1967. New York, September 25 - November 23, 1969. The museum is temporarily closed to support the effort to contain the spread of COVID-19. A prize winning artist, Oldenburg has had his work displayed at the Whitney, the Guggenheim, the Metropolitan Museum of Art, and the National Gallery. Signed lower right and numbered lower left in graphite Claes Oldenburg - Artists - Berggruen Gallery Photo: Hans Hammarskiöld. Claes Oldenburg Profiterole 1989 Cast aluminum, latex paint and brass. (Inventory #27605), and painted wooden stand9 x 19 x 13 inches  (22.9 x 48.3 x 33 cm)Edition of 200Initialed and numbered in ink on the base drum(Inventory #28446), Image size:  13 1/4 x 5 1/2 inches  (33.7 x 14 cm) Initially aiming to make his mark as a painter, by 1960 he had changed his mind: the way to upend the art of his time was through sculpture—sculpture of a sort never seen before. base: 3/4 x 30 x 30 in. Over the course of the late 1970s and early 1980s, Oldenburg embarked on a series of models of Tube Supported by its Contents, showing various dynamic solutions applied to the basic elements of tube and paste. An early example of this idea occurs in Proposal for a Giant Balloon in the Form of a Tube and its Contents – Shown in Relation to the Giant Ice Bag, from 1969, for exhibition in the U.S. pavilion at Expo ‘70 in Osaka, Japan, in 1970. Wedding Souvenir (for the wedding of Jim and Judith Elliott in Topanga Canyon, California, April 23, 1966), 1966, Wedding Souvenir (for the wedding of Jim and Judith Elliott in Topanga Canyon, California, April 23), Wedding Souvenir (for the wedding of Jim and Judith Elliott in Topanga Canyon, California, April 23), 1966, Three-dimensional screenprint and spray-paint in colors on canvas, with rope, Soft-ground etching, aquatint, and photographic relief in seven colors, Equitable Building as a Pencil Sharpener, 1995, Claes Oldenburg: Sculptural Multiples (exhibition), Artist’s Exhibitions at Krakow Witkin Gallery. One of the original Pop artists, Claes Oldenburg was born in Stockholm the son of a Swedish diplomat, and spent his early years in Stockholm and Oslo until they moved to Chicago in 1937. Il est connu notamment pour ses installations monumentales, répliques d'objets du quotidien. Editions and David Platzker on the occasion of Oldenburg’s exhibition “The Geometric Mouse” at Susan Inglett Gallery December 1994. By placing the viewer’s body in direct confrontation with the “contents” of the tube, that is, by refocusing our gaze on what is “expressed”—that pliable primordial paste from which any form might emerge—Oldenburg formulated his own view of art-making as poised midway between form and formlessness, a squeezing of creative matter from the mind of the artist, its fluttering and ultimately disposable container. Claes Oldenburg is a Swedish-born American sculptor known for his innovative and humorous reconstructions of everyday objects in both large-scale public installations and soft materials. Nov 11, 2016 - Explore Nadia Osokin's board "Claes Oldenburg" on Pinterest. Claes Oldenburg is an American sculptor, best known for his public art installations typically featuring very large replicas of everyday objects. Notebook Page #3184, Study for Tube Supported by its Contents, 1971, felt-tip pen, ball point pen and colored pencil on lined notebook paper, frame: 16 5/8 x 13 7/8 x 1 1/8 in. [3]. Claes Oldenburg and Coosje van Bruggen 2012.11.15 – 2013.1.31 PKM TRINITY GALLERY PKM 트리니티 갤러리는 2012년 11월 15일부터 2013년 1월 31일까지 팝아트의 살아있는 마지막 거장 클래스 올덴버그(Claes Oldenburg, b.1929- ) & 코셰 반 브루겐(Coosje … As he progressed with the form, then, Oldenburg continued to undermine the conventional elements of public sculpture (verticality, solidity) and to emphasize “indefinite form”: oozing, coiling, floating, fluttering. Claes Oldenburg came to New York City from his hometown of Chicago in 1956, when he was twenty-seven years old. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. "I am for an art that is political-erotic-mystical, that does something other than sit on its ass in a museum." Claes Oldenburg is known as a pioneer, and pre-eminent member of the Pop sculpture movement of the early 1960s. See more ideas about claes oldenburg, oldenburg, pop art. Claes Oldenburg Drawings, 1959–1977 (on view in the Ames Gallery) and Claes Oldenburg with Coosje van Bruggen Drawings, 1992–1998 (on view in the Ehrenkranz Gallery), Whitney Museum of American Art, New York, June 7–September 15, 2002. The enigmatic inscription “Note – projects = myself ” at the bottom tantalizingly establishes Tube Supported by its Contents as a self-portrait. With a prolific career spanning over fifty years, Claes Oldenburg has made a radical contribution to the history of sculpture by rethinking its materials, forms, and subject matter. Executed in 1970. [7] This same final form was also used for a small-scale version of. - Claes Oldenburg, Store Days, (New York, 1967), p. 39 Claes Oldenburg has redefined monumental sculpture and revealed the significance of the everyday with his 'Large Scale Projects'. View Claes Oldenburg’s 3,577 artworks on artnet. Oldenburg eventually began to create large-scale public installations, many of which were created in collaboration with Coosjie Van Bruggen, whom he later married. [3] Oldenburg explored the relationship to the paint tube further in Tube and Contents (1966), now at the Modern Art Museum of Fort Worth. for the wedding of Jim and Judith Elliott in Topanga Canyon, California, April 23, 1966 from a series of approximately 200 5 1/2 x 6 1/2 x 2 1/4 inches (14 x 16.5 x 5.7 cm) (Inventory #27604) [7] This same final form was also used for a small-scale version of Tube Supported by its Contents dated 1983, produced in an edition of three. (39.3 x 39.3 x 39.3 cm), This culminated in a commission for a large-scale version by the German gallerist Alfred Schmela. - Claes Oldenburg, Store Days, (New York, 1967), p. 39 Claes Oldenburg has redefined monumental sculpture and revealed the significance of the everyday with his 'Large Scale Projects'. [2] Blown up to human scale, the tube rests supine like a marble nude, its cap immodestly removed and lying nearby, a smooth white emulsion emerging from its tip. (37.8 x 41.3 cm). A prominent Pop artist, Claes Oldenburg’s signature sculptures depict everyday objects such as French fries, telephones, and hot water bottles, made from soft materials including latex and canvas. A prize winning artist, Oldenburg has had his work displayed at the Whitney, the Guggenheim, the Metropolitan Museum of Art, and the National Gallery. In the end, while Ice Bag did go to Osaka, the toothpaste balloon was not realized. A prominent Pop artist, Claes Oldenburg’s signature sculptures depict everyday objects such as French fries, telephones, and hot water bottles, made from soft materials including latex and canvas. 1950–52 Asiste a cursos nocturnos —y, más tarde, a cursos diurnos— en el Art Institute of Chicago mientras trabaja como … 30-abr-2013 - Explora el tablero "Claes Oldenburg" de Jesusalmeriense, que 107136 personas siguen en Pinterest. Compre y venda cuadros originales y firmados a buen precios en kunzt.gallery. paper, urethane foam, metal, vacuum cleaner hose, wood; painted with enamel, 13 1/2 x 19 1/4 x 14 7/8 in. Signed lower right and numbered lower left in graphite En ella reunía objetos y figuras realizados con materiales baratos como la tela, el cartón y el papel, con los que formaba una evocación del paisaje urbano. National Portrait Gallery 8th and F Streets NW Washington, DC 20001. By translating the medium of sculpture from hard to […] This theme involves a startling and conceptually brilliant inversion in which the soft, shapeless paste becomes the structural support for the solid tube now hovering above it. (261.6 x 68.9 x 50.8 cm.) Zijn sculpturen verbeelden vaak alledaagse consumentenartikelen, zoals zichtbaar in werken als Lipstick (Ascending) On Caterpillar Tracks en Screw Arch. His large-scale sculpture, often presented in public spaces or made of soft or industria materials, exemplify the satirical and everyday qualities of Pop Art. Schmela installed the work in Lantz’scher Park, Düsseldorf, in 1985, and published a catalogue for the work that same year. Claes Oldenburg is a Swedish-born American sculptor known for his innovative and humorous reconstructions of everyday objects in both large-scale public installations and soft materials. Further reading Claes Oldenburg: Works in Edition, exhibition catalogue, Margo Leavin Gallery, Los Angeles 1971. (47 x 30.5 x 36.8 cm), Signed with the artist's initials and dated 81 on the base, First Model for Tube Supported by its Contents, 1978, 15 1/2 x 15 1/2 x 15 1/2 in. [1] Principally through the introduction of fluoride and sodium lauryl sulfate, a foaming and emulsifying agent that replaced coarser versions of soap. 1929) Giant Trowel II Model inscribed with the artist's signature and stamped with the title 'Oldenburg TROWEL II' (on the reverse); incised with the artist's signature, title and date 'TROWEL II MODEL 1976' (on the base) aluminum and steel sculpture: 103 x 27 1/8 x 20 in. In his early career, Claes Oldenburg worked with soft sculpture and performance art, but became renowned for … Claes Oldenburg (born January 28, 1929) is a Swedish-born American sculptor, best known for his public art installations typically featuring large replicas of everyday objects. © Hans Hammarskiöld Heritage. Claes Oldenburg’s artistic career spans the experimental decades of the American avant-garde beginning in the late 1960s. Claes Oldenburg Obras de arte a la venta. Claes Oldenburg: An Anthology [Oldenburg, Claes, Celant, Germano, National Gallery of Art (U. S.), Solomon R. Guggenheim Museum] on Amazon.com. a rolled tube suspended from the ceiling, with the contents spilling onto the floor. (42.2 x 35.2 x 2.9 cm), numbered 3184 and dated 12/71, initialed and and numbered 314 on verso, Proposal for a Giant Balloon in the Form of a Tube and its Contents – Shown in Relation to the Giant Ice Bag, 1969-70, frame: 14 7/8 x 16 1/4 in. See more ideas about claes oldenburg, oldenburg, sculptures. Il est connu notamment pour ses installations monumentales, répliques d'objets du quotidien. Editions and David Platzker on the occasion of Oldenburg’s exhibition “The Geometric Mouse” at Susan Inglett Gallery December 1994. 1962. In this vibrant drawing, the piece is integrated in a park-like landscape and enlarged to monumental scale. [2] Blown up to human scale, the tube rests supine like a marble nude, its cap immodestly removed and lying nearby, a smooth white emulsion emerging from its tip.

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