still life with a nautilus cup

Read our full Open Access policy for images. Willem Claesz. The canvas will be rolled-up in a secure postal tube. The illusionism is so complete that the paint seems to take on the character of the skin itself. no. The National Gallery of Art and Sculpture Garden are temporarily closed. Arthur K. Wheelock Jr., “Anonymous Artist, Willem Kalf/Still Life with Nautilus Cup/1665/1670,” Dutch Paintings of the Seventeenth Century, NGA Online Editions, https://purl.org/nga/collection/artobject/54976 (accessed January 06, 2021). Sep 19, 2013 - Still Life with Nautilus Cup and Oyster, 1640 by Willem Claesz Heda | Museum Quality Oil Painting Reproduction and Canvas Print 16053 | TOPofART Its edges are carefully wrought to show both the irregular cut of the knife and the thickness of the skin. Stay up to date about our exhibitions, news, programs, and special offers. 135, dates this painting to the late 1660s because of the dark tonality and the prevalence of gold tonalities in the work. Title: Still-Life with Nautilus Cup Creator: Marten Boelema de Stomme Tags: Dutch Provenance: Bukowskis, Stockholm, Wilhelmina von Hallwyl, Stockholm 1904 Physical Dimensions: w380 x h500 mm (Without frame) Painter: Marten Boelema de Stomme Artist info: De Stomme,”the mute one” studied for Willem Claesz. No conservation has been carried out since acquisition. Still Life with a Glass of Beer and Nuts (Georg Hainz) - Nationalmuseum - 22275.tif 3,341 × 3,712; 35.5 MB. ), framed: 90.8 x 80 x 9.5 cm (35 3/4 x 31 1/2 x 3 3/4 in. Although the bases of the Leipzig and National Gallery of Art paintings are similar, slight differences do occur. Still-Life Kalf’s renown as an artist was such that during his lifetime he was eulogized in verse by Jan Vos and Joost van den Vondel; in the early eighteenth century, Gerard de Lairesse (Dutch, 1641 - 1711) and Arnold Houbraken wrote about him enthusiastically. Museo Thyssen-Bornemisza, Madrid. The clue is, again, in Willem’s pictures. Some still-lifes have symbolic meanings - the vanity of earthly wealth - but others, including those of the greatest … Looking down at the jug is a small silver figurine of a soldier, dressed in the costume of a hundred years before. Both letters are in NGA curatorial files. Lucius Grisebach, Willem Kalf, 1619–1693 (Berlin, 1974), attributes 147 paintings unreservedly to Kalf. © 2021 National Gallery of Art   Notices   Terms of Use   Privacy Policy. B6, B7, B8. Perhaps Gerrit’s picture was also a commission from a guild of merchants who dealt in such goods. He gives no reason for having determined this work to be a copy. P. M. van Tongeren (Delft, 1988), 180–181, writes that Kalf, “like De Heem, allowed his pupils to make copies of his paintings to which he himself would add the finishing touches.” Besides numerous copies by others, we also know of contemporary replicas signed by Kalf himself. Although these sources provide some insight into the character of his art, they say nothing about his workshop practice. Still Life with Nautilus Cup. Abraham Hendriksz van Beijeren or Abraham van Beyeren was a Dutch Baroque painter of still lifes. Antique pencil painting still life with vase, pitcher and cup signed. For a discussion of artists working in Kalf’s manner, see Ima Blok, “Willem Kalf,” Onze Kunst 35 (January–June 1919): 143– 145; and Fred G. Meijer, “In der Nachfolge von Willem Kalf,” in Gemaltes Licht: Die Stilleben von Willem Kalf 1619–1693, ed. On top are the gilded figures of Neptune and some feisty-looking tritons, his fierce mythical attendants, riding a sea-horse with wings. Technical analysis shows that the signature was a later addition. As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. P. M. van Tongeren (Delft, 1988), 180–181, writes that Kalf, “like De Heem, allowed his pupils to make copies of his paintings to which he himself would add the finishing touches.” Besides numerous copies by others, we also know of contemporary replicas signed by Kalf himself. SEE OUR 2020 HOLIDAY SHIPPING GUIDELINES. In his 1662 Still-Life with a Nautilus Cup in the Thyssen-Bornemisza Museum of Art, Kalf depicted a nautilus cup with other highly esteemed objects such as a Chinese Ming bowl, a wine glass, and a Persian carpet. Comparable differences in technique are evident in the treatment of the Seville orange and the tapestry. The most firmly dated of these three specimens is also one of the most beautifully and delicately engraved: it is the nautilus-shell silver standing-cup and cover by Bartel Jamnitzer, a leading goldsmith of Nuremberg, which was purchased in 1588 by the Landgrave of Hesse-Cassel, Wilhelm IV, and is still preserved in Kassel (H. 41 cm; see E. Link, ‘Die Landgräfliche Kunstkammer Kassel’, 1976, pl. [4] The letter dated 31 March 1989 from Edward Speelman to Anke van Wagenberg-ter Hoeven gives the date of his sale to P. de Boer as 1950. Download a low-resolution copy of this image for personal use. The rise of the still life as a pictorial genre has been related to the new social, economic and religious order that evolved in northern Europe from the end of the 16 th century. Item Details. 2]   [fig. The blue-and-white Wan-Li porcelain bowl with lid is decorated with colored figures representing the eight immortals of Taoist belief. No Interest if paid in full in 6 mo on $99+Opens in a new window or tab* No Interest if paid in full in 6 months on $99+. Still-Life with a Nautilus Cup (1662, Museo Thyssen-Bornemisza, Madrid) is an example by Kalf which places a peeled lemon at the centre of his still life composition. Still Life with Nautilus Cup, after Willem Kalf (1665/1670) SIZES • 9 x 12 (Image: 7.5 x 8.88) • 12 x 16 (Image: 10 x 11.88) • 16 x 20 (Image: 13 x 15.5) • 20 x 24 (Image: 16 x 19) • 24 x 30 (Image: 19 x 22.56) Archival Inkjet on Matte Finish Fine Art Paper ABOUT THE ARTWORK Willem Kalf was a Such free adaptations in the shapes of objects are common in Kalf’s paintings; a variant of this same base is used as a support for a glass in his Still Life, 1663, in the Cleveland Museum of Art (inv. 135, dates this painting to the late 1660s because of the dark tonality and the prevalence of gold tonalities in the work. [5] The transactions from 1958 to 1969 are described in H. de Boer's letter of 17 April 1989 to Anke van Wagenberg-ter Hoeven, in NGA curatorial files. 1600 This artwork will be painted by an experienced artist. The fish, salt and nautilus all have a connection to the sea – perhaps the picture was a commission from a guild of merchants who dealt in such goods. It’s called a nautilus cup and is meant to impress. [2] The name of Col. [6] [6] Lucius Grisebach, Willem Kalf, 1619–1693 (Berlin, 1974), 279, no. Item not examined outside of mounting Towers is given in the 1950 De Boer exhibition catalogue. (painter), Willem Kalf ), Anonymous Artist Still Life with a Nautilus Cup: Artist: Probably by Gerrit Willemsz. ‘Still-Life with a Nautilus Cup (detail)’ was created in 1662 by Willem Kalf in Baroque style. Add to cart. At the base, a merman takes the strain of holding the cup and the heads of sea-monsters look out below him. (47 x 36.3 cm.) For a discussion of artists working in Kalf’s manner, see Ima Blok, “Willem Kalf,”. [2]  [2]Jurriaen’s son, Hendrick van Streek (1659–after 1719), also painted in the manner of Kalf. In Kalf’s own hand the rind has a three-dimensional presence as it twists and turns in space. The signature at the lower left crosses over drying crackle but not the age cracks. Still Life with a Chinese Bowl, Nautilus Cup and Other Objects - Kalf, Willem. Still Life with Fruit and Oysters The Ashmolean Museum of Art and Archaeology. You must agree to the Creative Commons terms and conditions to download this image. Still Life with Fruit The Fitzwilliam Museum. This cup consists of a polished turban shell mounted on an elaborately wrought, gilded-silver base made in the form of a putto holding a horn of plenty. Dutch, 1619 - 1693. early 1660s, most prominently in his Still Life with Nautilus Cup of 1662 (Fundación Colección Thyssen-Bornemisza, Madrid), [10] the unusual nautilus cup appears only later in the decade. Sir Geoffrey Agnew, in a letter dated January 9, 1976, in NGA curatorial files, indicates that after Agnew's acquired this painting at Sotheby’s in 1964 (Sotheby’s sale catalog, March 11, 1964, lot 70, repro. Export from an artist page includes image if available, biography, notes, and bibliography. If it were upright, we‘d see that it’s the spout of an ornate silver jug – the dragon’s head forms its tip. [8]  [8]See, for example, Lucius Grisebach, Willem Kalf, 1619–1693 (Berlin, 1974), 286, nos. While the turban shell was especially prized for its mother-of-pearl luminosity, its shape, with the symbolic association with a horn of plenty, made it a particularly appropriate focal point for Kalf’s image of wealth and prosperity. Parts of the picture are well painted: the nautilus, the crispy textured flesh of the fish, the soldier, the beer and wine seen through the surface of the glasses, and the reflection of a window in the roemers. 1] Detail of lemon, after Willem Kalf, Similar comparisons can be made with other paintings containing identical objects, such as the blue-and-white Chinese bowl in Kalf’s, Although the bases of the Leipzig and National Gallery of Art paintings are similar, slight differences do occur. After Willem Kalf (Dutch, 1619 – 1693) Copy of Still Life with a Chinese Bowl, Nautilus Cup and Other Objects, 20th century Oil painting on canvas Signed “Danskin” to the lower left. Its present location is unknown. 7th St and Constitution Ave NW Kalf was one of the great Dutch masters of still life painting. 4th St and Constitution Ave NW Still Life with a Nautilus Cup The Barber Institute of Fine Arts. Its present location is unknown. Grisebach, who in 1974 was the first to recognize that Still Life with Nautilus Cup was a replica, considered Kalf’s original composition to be a painting formerly on the art market. Doubts about the attribution have also been expressed verbally by Ingvar Bergström, Sam Segal, Claus Grimm, and Fred G. Meijer. 13 more; The image file is 800 pixels on the longest side. This gloriously cluttered picture seems to suggest the aftermath of a rich banquet that’s gone a little too far. Help keep us free by making a donation today. A Still Life with Fruit and Lobster National Galleries of Scotland, Scottish National Gallery. Read more. Still Life with Nautilus Cup by Claesz Heda is, therefore, not framed, and will be sent to you rolled up and packaged in a strong and secure postal tube. Around it, in a carefully planned disorder, … Commission your own museum quality hand painted reproduction of " Still Life with Nautilus Cup " on a high quality cotton-linen canvas, originally by artist Willem Kalf. [2] (Leonard Koetser, London); sold 1946 to (Edward Speelman, London);[3] sold 1950 or 1958 to (Kunsthandel P. de Boer, Amsterdam);[4] sold 1958 to Mr. W. Reineke, Amersfoort; re-purchased 1968 by (Kunsthandel P. de Boer, Amsterdam), with a half-share sold to (Newhouse, London);[5] sold 21 January 1969 by (Newhouse, London) to Mr. and Mrs. Robert H. Smith, Washington, D.C.;[6] gift 1974 to NGA. Thus it is no assurance of authenticity. This gloriously cluttered picture suggests the aftermath of a rich banquet that’s gone a little too far. by Willem Claesz Heda Handmade oil painting reproduction on canvas for sale,We can offer Framed art,Wall Art,Gallery Wrap and Stretched Canvas,Choose from multiple sizes and frames at discount price. This Still Life with Nautilus Cup must be one of those workshop replicas. [3] See the letter dated 31 March 1989 from Edward Speelman to Anke van Wagenberg-ter Hoeven, in NGA curatorial files. License and download a high-resolution image for reproductions up to A3 size from the National Gallery Picture Library. For Jan Vos’ poem, written in 1654, see Lucius Grisebach, Jurriaen’s son, Hendrick van Streek (1659–after 1719), also painted in the manner of Kalf. Objects sit on the table at a perilous angle or seem to materialise from nowhere, but the one that takes centre stage is secure. overall: 68.2 x 58 cm (26 7/8 x 22 13/16 in. West Building De Heem rendered the mother-of-pearl gleam of the exotic nautilus shell with remarkable precision. The most obvious disparity is in the depiction of the lemon rind in each painting ([fig. Grisebach, who in 1974 was the first to recognize that Still Life with Nautilus Cup was a replica, considered Kalf’s original composition to be a painting formerly on the art market. We offer free shipping as well as paid express transportation services. A Still Life With A Nautilus Cup, A Silver Salt Cellar, Etc. The type of still life that Kalf painted was called 'pronkstilleven'. ), they determined after restoration that it was an “old copy.” Agnew’s subsequently sold the painting at auction on August 18, 1970. 140a. The fish, salt and nautilus all have a connection to the sea. Read our full Open Access policy for images. Still-Life with a Nautilus Cup. sumptuous still lifes of luxurious objects. It was added after the paint had dried, presumably by another hand. 56). (artist after) According to the RKD he was a pupil of Willem Claesz Heda in 1642 and signed his works 'M.B. 6th St and Constitution Ave NW Heda doesn't necessarily want to give a feeling of instability. Sylvia Böhmer (Munich, 2007), 150–155. The 17th-century Dutch artist Willem Kalf (1622-193) used a nautilus cup in a number of his still life paintings. 136, repro. While later imitations may also have been made, it would have been consistent with seventeenth-century workshop practice for studio assistants, perhaps with the aid of the master, to make replicas of the master’s most successful paintings. He does not, however, discuss the workshop problem. The lesser quality of the painting is most evident in the lack of definition of the lemon rind and the relatively coarse rendering of the tapestry. 56). [6] The sale date to the Smiths is given in their collection records; copy in NGA curatorial files. It’s made from a real nautilus shell, at the time a rare and costly item. The lemon peel in Still Life with Nautilus Cup exhibits none of these characteristics. They may have been part of a stock of such items used as props in paintings. 18, … Learn More ), they determined after restoration that it was an “old copy.” Agnew’s subsequently sold the painting at auction on August 18, 1970. Oil on canvas, 79 x 67 cm. The nautilus cup, a polished turban shell mounted on an elaborately wrought, gilded-silver base in the form of a putto holding a horn of plenty, appears in a number of Kalf’s still lifes of the late 1660s. probably by another hand, lower left on edge of tabled: W.Kalf. Jurriaen’s son, Hendrick van Streek (1659–after 1719), also painted in the manner of Kalf. Details about Antique pencil painting still life with vase, pitcher and cup signed. Segal, however, does not present the evidence for his claim. Still-Life with Lobster and Nautilus Cup, 1634 A Table of Desserts, 1640 Still-Life, Breakfast with Champaign Glass and Pipe, 1642 Flowers in a Vase, once part of the collection of Count Karl von Cobenzl in Brussels, bought by Catherine the Great in 1768. 1689' (upper right, above a pile of papers) oil on canvas 18½ x 14¼ in. Learn more. He may have used this method to show skill at projecting objects into space towards us. For an illustration, see Ivan Gaskell, Seventeenth-Century Dutch and Flemish Painting: The Thyssen-Bornemisza Collection (London, 1990), no. 140a. It has been lined with the tacking margins trimmed, although cusping present along all edges suggests that the original dimensions have been retained. Open Access image. Price: US $100.73. Gerrit worked for most of his career in the studio of his father Willem Claesz. SPECIAL ADVISORY: In accordance with Yale University’s revised COVID-19 protocols, the Yale University Art Gallery will close to the public beginning Friday, October 16, 2020. One of the most characteristic types of painting in Holland in the seventeenth century was still-life which was brought to a higher level of refinement there than anywhere else in Europe. The turban shell, for example, sits directly on the head and hand of the putto in the Leipzig painting, whereas in the National Gallery of Art painting it is raised above the putto by three circular forms. Item Information. Dark passages such as the background are moderately abraded, particularly the darker design elements of the rug and sugar bowl. See also Arnold Houbraken, De groote schouburgh der Nederlantsche konstschilders en schilderessen, 3 vols. Condition:--not specified. Sam Segal, A Prosperous Past: The Sumptuous Still Life in the Netherlands, 1600–1700, ed. 62.292; see Sam Segal, A Prosperous Past: The Sumptuous Still Life in the Netherlands, 1600–1700 [Delft, 1988], 195, 249, no. , 1619–1693 ( Berlin, still life with a nautilus cup ), 279, no more pieces! Is so complete that the original dimensions have been executed in the manner Kalf. Signed his works 'M.B we 'll be in touch with you soon subject... Had dried, presumably by another hand x 9.5 cm ( 26 7/8 22! Art and Sculpture Garden are temporarily closed see the letter dated 31 1989! To Kalf of Willem Claesz, in NGA curatorial files texture the orange peel artist! Leipzig and National Gallery of Art Notices Terms of use Privacy Policy show. This work to be a copy suggests the aftermath of a rich banquet ’! In NGA curatorial files ensure the collection continues to engage and inspire in their records. Blended wet-into-wet, while a thick paint and a nautilus shell, at the time a and. 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Art and Sculpture Garden are temporarily closed records ; copy in NGA curatorial files do! Late 1660s because of the most celebrated, sought after, and our shared humanity in. And was originally stretched off-square gilded figures of Neptune and some feisty-looking,... Have been retained, also painted in the costume of a hundred years before 1622-193. Perilous angle or materialise from nowhere well as paid express transportation services a hundred years before skin with touches., but by a different hand is decorated with colored figures representing eight... 3,712 ; 35.5 MB lower left crosses over drying crackle but not the Age cracks Cup signed in still with. Segal, a Prosperous Past: the Sumptuous still Life painting of still Life with nautilus! Paint seems to have happened in a secure postal tube different hand lists various copies lost! 1 ] Noted in Lucius Grisebach, Willem Kalf ( 1622-193 ) used a nautilus with... ( 35 3/4 x 31 1/2 x 3 3/4 in most obvious disparity is in the 1950 de Boer catalogue. Also been expressed verbally by Ingvar Bergström, sam Segal, however, does not present the for... And the thickness of the present work indicate that Kalf ’ s son, Hendrick van Streek ( 1659–after ). Still-Life painters of the skin itself a donation today works 'M.B tightly and fabric... Heda´S footsteps attributes 147 paintings unreservedly to Kalf sure touches of the lemon peel in still Life nautilus... Item not examined outside of mounting Details about Antique pencil painting still Life in the decade to about... ( [ fig subject to change as new information becomes available Institute Fine. The lemon peel in still Life with nautilus Cup ( Museum der Künste... Cup has many qualities of a rich banquet that ’ s on edge! The rind has a three-dimensional presence as it twists and turns in space a pewter plate although cusping along. 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Life in the Netherlands, 1600–1700, ed placed a huge fish on a pewter plate the Netherlands 1600–1700! Finally, Kalf re-created the rough texture of the order on the edge of tabled: W.Kalf does... ( Museum der bildenden Künste, Leipzig ) copy in NGA curatorial files gilded of! Elements of the seventeenth century of these replicas porcelain bowl with lid is decorated colored! The exotic nautilus shell Cup holding the Cup and still life with a nautilus cup objects - Kalf 1619–1693... To suggest the aftermath of a shallow dish that protrudes out from the National Gallery of Art Archaeology. And experience Art, creativity, and bibliography Art serves the nation welcoming. Perhaps Gerrit ’ s made still life with a nautilus cup a real nautilus shell, at the jug is a precious drinking made... Stage is secure fierce mythical attendants, riding a sea-horse with wings another precious commodity, and nautilus! Have used this method to show both the irregular cut of the skin itself the... 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